Thursday, March 3, 2011

art provides meaning

Art answers the riddle of existence: it tells us why we exist by imbuing our lives with a sense of fittingness. In the highest form of beauty life becomes its own justification, redeemed from contingency by the logic which connects the end of things with their beginning. It is the true ground of the value of art, for it is what art, and only art, can give.

Keats's vision of the Grecian urn, with its message that 'Beauty is truth, truth beauty—that is all…Ye know on earth, and all ye need to know', arises from a lingering glance at a vanished world. But it records a common experience. Our favourite works of art seem to guide us to the truth of the human condition and, by presenting completed instances of human actions and passions, freed from the contingencies of everyday life, to show the worthwhileness of being human.

The point is perhaps best made through an example. We know what it is to love and be rejected, and thereafter to wander in the world infected by a bleak passivity. This experience, in all its messiness and arbitrariness, is one that most of us must undergo. But when Schubert, in Die Winterreise, explores it in song, finding exquisite melodies to illuminate one after another the many secret corners of a desolated heart, we are granted an insight of another order. Loss ceases to be an accident, and becomes instead an archetype, rendered beautiful beyond words by the music that contains it, moving under the impulse of melody and harmony to a conclusion that has a compelling artistic logic. It is as though we looked through the contingent loss of the song-cycle's protagonist to another kind of loss altogether: a necessary loss, whose rightness resides in its completeness. Beauty reaches to the underlying truth of a human experience, by showing it under the aspect of necessity.

I find this point difficult to express. And I am aware of the lesson that we must draw from the disputes over form and content. To refer to a truth contained in a work of art is always to risk the corrosive effect of the question: what truth? And yet that question must be disallowed. The insight that art provides is available only in the form in which it is presented: it resides in an immediate experience whose consoling power is that it removes the arbitrariness from the human condition—as the arbitrariness of suffering is overcome in tragedy, and the arbitrariness of rejection in Schubert’s song-cycle.



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